Las óleos de todo Caravaggio


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ID Image  Painting (From A to Z)       Details 
30269  
Caravaggio, Martyrdom of St.Matthew
 
 Martyrdom of St.Matthew   nn05 1599-160 The theatre of cruelty
94794  
Caravaggio, Mary Magdalen in Ecstasy
 
 Mary Magdalen in Ecstasy   Artist Caravaggio Year 1606 cyf
321  
Caravaggio, Medusa
 
 Medusa   1590 Galleria degli Uffizi, Florence
28853  
Caravaggio, Medusa
 
 Medusa   mk65 Oil on canvas applied to a poplar-wood shield 23 5/8x21 11/16in Uffizi,Gallery
30333  
Caravaggio, Medusa
 
 Medusa   mk68 1598-1599 Baroque
5743  
Caravaggio, Medusa  gg
 
 Medusa gg   1598-99 Oil on canvas mounted on wood, 60 x 55 cm Galleria degli Uffizi, Florence
314  
Caravaggio, Narcissus
 
 Narcissus   1598-99 Galleria Nazionale de Arte Antica, Rome
56038  
Caravaggio, narcissus
 
 narcissus   c.1595,oil on canvas,43.25x36.25 in ,110x92 cm,palazzo barberini,rome,ltaly
5806  
Caravaggio, Nativity with St Francis and St Lawrence fdg
 
 Nativity with St Francis and St Lawrence fdg   1609 Oil on canvas, 268 x 197 cm Formerly San Lorenzo, Palermo (lost)
94802  
Caravaggio, Nativity with St. Francis and St Lawrence
 
 Nativity with St. Francis and St Lawrence   1609 Type Oil on canvas Dimensions 268 cm x 197 cm (106 in x 78 in) cyf
80300  
Caravaggio, Neptune and Pluto
 
 Neptune and Pluto   between 1597(1597) and 1600(1600) Medium Ceiling painting in oil cyf
56043  
Caravaggio, poem scroll with deer
 
 poem scroll with deer   mk247 1603,ink and gold on paper(detail),13x363 in,34x939 cm,seattle art museum,seattle ,wa,usa
58430  
Caravaggio, Portable head David Goliath
 
 Portable head David Goliath   mk261 canvas 125.5 x 101 cm Museum Verghese
5740  
Caravaggio, Portrait of a Courtesan fg
 
 Portrait of a Courtesan fg   c. 1598 Oil on canvas, 66 x 53 cm Formerly Kaiser-Friedrich-Museum, Berlin
29003  
Caravaggio, Portrait of a Knight of Malta
 
 Portrait of a Knight of Malta   mk65 Oil on canvas 46 5/8x76 9/16in Pitti,Royal Apartments
5797  
Caravaggio, Portrait of Alof de Wignacourt  v
 
 Portrait of Alof de Wignacourt v   1607-08 Oil on canvas, 195 x 134 cm Mus??e du Louvre, Paris
5798  
Caravaggio, Portrait of Alof de Wignacourt fg
 
 Portrait of Alof de Wignacourt fg   1608 Oil on canvas, 118,5 x 95,5 cm Galleria Palatina (Palazzo Pitti), Florence
87344  
Caravaggio, Portrait of Antonio Martelli.
 
 Portrait of Antonio Martelli.   Date 1608.(1608.) Medium Oil on canvas. Dimensions 118.5 x 95.5 cm (46.7 x 37.6 in). cjr
5745  
Caravaggio, Portrait of Maffeo Barberini kk
 
 Portrait of Maffeo Barberini kk   1599 Oil on canvas, 124 x 99 cm Private collection, Florence
78013  
Caravaggio, Portrait of Pope Urban VIII.
 
 Portrait of Pope Urban VIII.   1599(1599) Oil on canvas cjr
319  
Caravaggio, Rest During the Flight into Egypt
 
 Rest During the Flight into Egypt   1595-96 Galleria Doria Pamphili
5734  
Caravaggio, Rest on Flight to Egypt (detail) fg
 
 Rest on Flight to Egypt (detail) fg   1596-97 Oil on canvas, width of detail: 48 cm Galleria Doria-Pamphili, Rome
5733  
Caravaggio, Rest on Flight to Egypt (detail) fgf
 
 Rest on Flight to Egypt (detail) fgf   1596-97 Oil on canvas, width of detail: 48 cm Galleria Doria-Pamphili, Rome
5732  
Caravaggio, Rest on Flight to Egypt ff
 
 Rest on Flight to Egypt ff   1596-97 Oil on canvas, 133,5 x 166,5 cm Galleria Doria-Pamphili, Rome
95756  
Caravaggio, Rest on the Flight into Egypt
 
 Rest on the Flight into Egypt   circa 1597(1597) Medium oil on canvas cyf
30531  
Caravaggio, Saint Catherine
 
 Saint Catherine   mk68 Oil on canvas 5'8"x4'4 1/4" Madrid,Thyssen-Bornemiszxa Museum 1595-1596 Italy
74850  
Caravaggio, Saint Jerome Writing
 
 Saint Jerome Writing   1605-1606 Oil on canvas 112 X 157 cm (44.09 X 61.81 in) cjr
76314  
Caravaggio, Saint Jerome Writing
 
 Saint Jerome Writing   Date 1605-1606 Medium Oil on canvas Dimensions 112 ?? 157 cm (44.1 ?? 61.8 in) cyf
86181  
Caravaggio, Saint John the Baptist
 
 Saint John the Baptist   1602(1602). Medium Oil on canvas. Dimensions 132 x 97 cm (52 x 38.2 in). cyf
86454  
Caravaggio, Saint John the Baptist
 
 Saint John the Baptist   1602(1602). Medium Oil on canvas. Dimensions 129 x 94 cm (50.8 x 37 in). cyf
96761  
Caravaggio, Saint John the Baptist
 
 Saint John the Baptist   circa 1602(1602). Medium oil on canvas. Dimensions 132 X 97 cm cyf
94792  
Caravaggio, Saint Matthew and the Angel
 
 Saint Matthew and the Angel   1602 Type Oil on canvas Dimensions 295 cm x 195 cm (116 in x 77 in) cyf
43081  
Caravaggio, Salome Receives the Head of Saint John the Baptist
 
 Salome Receives the Head of Saint John the Baptist   mk170 1607-1610 Oil and egg on canvas 91.5x106.7cm
94797  
Caravaggio, Salome with the Head of John the Baptist
 
 Salome with the Head of John the Baptist   . 1607 Type Oil on canvas Dimensions 91.5 cm x 106.7 cm cyf
5792  
Caravaggio, Salome with the Head of St John the Baptist fg
 
 Salome with the Head of St John the Baptist fg   c. 1607 Oil on canvas, 90,5 x 167 cm National Gallery, London
5807  
Caravaggio, Salome with the Head of the Baptist fg
 
 Salome with the Head of the Baptist fg   c. 1609 Oil on canvas, 116 x 140 cm Palazzo Real, Madrid
56855  
Caravaggio, San Marco called
 
 San Marco called   mk250 Rome, Italy, the Church of St. Lugar Kangtaleili Chapel, in the year 1597-1601. Cloth on canvas, 338 x 348 cm around.
26764  
Caravaggio, Self-Portrait as Bacchus
 
 Self-Portrait as Bacchus   mk52 Oil on canvas 66x52cm Galleria Borghese,Rome
5713  
Caravaggio, Sick Bacchus g
 
 Sick Bacchus g   c. 1593 Oil on canvas, 67 x 53 cm Galleria Borghese, Rome
29002  
Caravaggio, Sleeping Cupid
 
 Sleeping Cupid   mk65 Oil on canvas 28 3/8x41 5/16in Pitti, Palatine Gallery
5800  
Caravaggio, Sleeping Cupid gg
 
 Sleeping Cupid gg   1608 Oil on canvas, 71 x 105 cm Galleria Palatina (Palazzo Pitti), Florence
62387  
Caravaggio, St Catherine of Alexandria
 
 St Catherine of Alexandria   173 x 133 cm Thyssen-Bornemisza Collection, Madrid The painting formerly belonged to Cardinal Del Monte, one of the artist's patrons. Here we see a single female figure in an interior devoid of architectural allusions. The image appears with a boldness and an immediacy that combine the nobility of the subject (St Catherine was a king's daughter) with the almost plebeian pride of the model (no doubt a Roman woman of the people, who appears on other paintings of the artist, too). The breadth of conception and realization, and the perfect mastery of a very difficult composition (the figure and objects completely fill the painting, in a subtle play of diagonals) are striking. Caravaggio here chose a "grand" noble approach that heralds the great religious compositions he would soon do for San Luigi dei Francesi. The extraordinary virtuosity in the painting of the large, decorated cloth is absorbed as an integral part of the composition. This is something his followers would not often succeed in doing, for they frequently dealt with the single components of the painting individually, with adverse effects on the unity of the whole.
5736  
Caravaggio, St Catherine of Alexandria fdf
 
 St Catherine of Alexandria fdf   c. 1598 Oil on canvas, 173 x 133 cm Thyssen-Bornemisza Collection, Madrid
62376  
Caravaggio, St Francis c. 1606 Oil on canvas
 
 St Francis c. 1606 Oil on canvas   125 x 93 cm Galleria Nazionale d'Arte Antica, Rome The founder of the Franciscan Order was the first person to experience the miracle of stigmatization of his own body. In other words, he was marked out by Christ's wounds. Here he is reduced to the ideal state of penance in the wilderness - a state equally valid for saints and pious people. Caravaggio shows no sign of reinterpreting the story unconventionally. His rather traditional approach may derive from the fact that the composition is probably a commission from the papal family. They owned the township known as Carpineto, from where an almost identical second version, stored at present in the Palazzo Venezia, Rome, originated. Stylistically, the painting is very closely related to the Brera Supper in Emmaus, which was probably painted in Latium
5784  
Caravaggio, St Francis dfgd
 
 St Francis dfgd   c. 1606 Oil on canvas, 125 x 93 cm Galleria Nazionale d'Arte Antica, Rome
5785  
Caravaggio, St Francis g
 
 St Francis g   c. 1606 Oil on canvas, 130 x 190 cm Pinacoteca, Cremona
43836  
Caravaggio, St Jerome
 
 St Jerome   c. 1606 Oil on canvas, 112 x 157 cm
62377  
Caravaggio, St Jerome 1607 Oil on canvas
 
 St Jerome 1607 Oil on canvas   117 x 157 cm St John Museum, La Valletta This picture of the holy scholar was made for Ippolito Malaspina, a Maltese knight whose coat of arms is on the wooden panel to the right. He was connected by marriage to Caravaggio's patron Ottavio Costa and was a confidant of the Grand Master, who may have been used as the model for the saint (similarly Van Dyck was to use the sister of the Queen of England as model for the Madonna). The saint does indeed look like the knight in a recently discovered portrait by Caravaggio, who has been identified by some as Wignacourt himself. The composition is planned in terms of triangles. One rises from the table to the saint's head, another has its apex at the cardinal's hat on the wall to the left, a third recedes to the bedstead at the back on the right. This simple design helps convey an idea of simplicity. St Jerome has no halo, his workbench is rudimentary, he does not own any folios, he has one candle to see by, a crucifix to meditate on, a stone to beat against his chest, and a skull to remind him of his mortality. He is partly naked because he lives an eremitical life in the desert of Judaea. A steady light shines on his torso and picks out the red cloak round his legs. The source of the light is outside the picture, and can be interpreted as Christ, Light of the World
5796  
Caravaggio, St Jerome dsf
 
 St Jerome dsf   1607 Oil on canvas, 117 x 157 cm St John Museum, La Valletta
62375  
Caravaggio, St John the Baptist
 
 St John the Baptist   94 x 131 cm Galleria Nazionale d'Arte Antica, Rome In around 1605 Caravaggio dealt with St. John the Baptist in two splendid compositions, one in the Kansas City Gallery, the other in the Galleria Nazionale di Arte Antica in Rome. The former is laid out vertically, the latter horizontally. Both lend themselves to a modernistic reading aimed at pointing out a certain air between contempt and arrogance. In effect what we are dealing with here are splendid exercises in modeling the body through the play of light and shadow. In the version now in Kansas City, the figure is set before a dense curtain of plants; in that in Rome, there is only the trunk of a cypress tree, on the left. Both are admirable feats of painting, and it is understandable that collectors competed with each other for the artist's works. Caravaggio in turn knew how to make apparently uninteresting religious themes into paintings desirable even for his aristocratic patrons.
5814  
Caravaggio, St John the Baptist at the Well ty
 
 St John the Baptist at the Well ty   1607-08 Oil on canvas, 73 x 100 cm Collezione Bonello, Malta
5809  
Caravaggio, St John the Baptist fdg
 
 St John the Baptist fdg   1610 Oil on canvas, 159 x 124 cm Galleria Borghese, Rome
5759  
Caravaggio, St Matthew and the Angel f
 
 St Matthew and the Angel f   1602 Oil on canvas, 232 x 183 cm Formerly Kaiser-Friedrich-Museum, Berlin
43844  
Caravaggio, St. Francis in Ecstasy
 
 St. Francis in Ecstasy   c. 1595 Oil on canvas, 92,5 x 128,4 cm
5719  
Caravaggio, St. Francis in Ecstasy (detail) f
 
 St. Francis in Ecstasy (detail) f   c. 1595 Oil on canvas Wadsworth Atheneum, Hartford, Connecticut
5718  
Caravaggio, St. Francis in Ecstasy f
 
 St. Francis in Ecstasy f   c. 1595 Oil on canvas, 92,5 x 128,4 cm Wadsworth Atheneum, Hartford, Connecticut
5812  
Caravaggio, St. John the Baptist
 
 St. John the Baptist   Oil on canvas, 102,5 x 83 cm Öffentliche Kunstsammlung, Basle
43834  
Caravaggio, St. John the Baptist
 
 St. John the Baptist   c. 1604 Oil on canvas, 172,5 x 104,5 cm
43846  
Caravaggio, St. John the Baptist
 
 St. John the Baptist   1600 Oil on canvas, 230 x 175 cm
5747  
Caravaggio, St. John the Baptist (Youth with Ram)  fdy
 
 St. John the Baptist (Youth with Ram) fdy   c. 1600 Oil on canvas, 132 x 97 cm Galleria Doria Pamphili, Rome
56854  
Caravaggio, St. Paul s conversion
 
 St. Paul s conversion   mk250 Rome, Italy, the people of the church of Our Lady of the funeral chapel, the year 1601. Cloth on canvas, 230 x 175 cm around.
327  
Caravaggio, St.Francis in Ecstasy
 
 St.Francis in Ecstasy   1595 Wadsworth Atheneum, Hartford, Connecticut
316  
Caravaggio, Still Life with Flowers Fruit
 
 Still Life with Flowers Fruit   1590s RomeGalleria Borghese, Rome
5818  
Caravaggio, Still-Life with Flowers and Fruit g
 
 Still-Life with Flowers and Fruit g   1590s Oil on canvas, 105 x 184 cm Galleria Borghese, Rome
24681  
Caravaggio, Supper at Emmans (mk33)
 
 Supper at Emmans (mk33)  
94795  
Caravaggio, Supper at Emmaus
 
 Supper at Emmaus   1606 Type Oil on canvas Dimensions 141 cm x 175 cm (56 in x 69 in) cyf
5779  
Caravaggio, Supper at Emmaus (detail) d
 
 Supper at Emmaus (detail) d   1606 Oil on canvas, width of detail: 20 cm Pinacoteca di Brera, Milan
5778  
Caravaggio, Supper at Emmaus (detail) dfg
 
 Supper at Emmaus (detail) dfg   1606 Oil on canvas, width of detail: 20 cm Pinacoteca di Brera, Milan
5780  
Caravaggio, Supper at Emmaus (detail) f
 
 Supper at Emmaus (detail) f   1606 Oil on canvas, width of detail: 20 cm Pinacoteca di Brera, Milan
5775  
Caravaggio, Supper at Emmaus (detail) fdg
 
 Supper at Emmaus (detail) fdg   1601-02 Oil on canvas National Gallery, London
5774  
Caravaggio, Supper at Emmaus (detail) fg
 
 Supper at Emmaus (detail) fg   1601-02 Oil on canvas National Gallery, London
5773  
Caravaggio, Supper at Emmaus gg
 
 Supper at Emmaus gg   1601-02 Oil on canvas, 139 x 195 cm National Gallery, London
48648  
Caravaggio, Supper of Aaimasi
 
 Supper of Aaimasi   mk191 1596-1603 oil on canvas 139x185cm
5741  
Caravaggio, Taking of Christ g
 
 Taking of Christ g   c. 1598 Oil on canvas, 133,5 x 169,5 cm National Gallery of Ireland, Dublin
328  
Caravaggio, The Annunciation
 
 The Annunciation   1609 Mus??e des Beaux-Arts, Nancy
5804  
Caravaggio, The Annunciation fdgf
 
 The Annunciation fdgf   1608-09 Oil on canvas, 285 x 205 cm Mus??e des Beaux-Arts, Nancy
330  
Caravaggio, The Beheading of the Baptist
 
 The Beheading of the Baptist   1608 St.John Museum, La Valetta
34698  
Caravaggio, The Beheanding of tst john the baptist
 
 The Beheanding of tst john the baptist   mk96 1608 316x520cm
5749  
Caravaggio, The Calling of Saint Matthew (detail) dsf
 
 The Calling of Saint Matthew (detail) dsf   1599-1600 Oil on canvas, width of detail: 86 cm Contarelli Chapel, San Luigi dei Francesi, Rome
5751  
Caravaggio, The Calling of Saint Matthew (detail) fdgf
 
 The Calling of Saint Matthew (detail) fdgf   1599-1600 Oil on canvas Contarelli Chapel, San Luigi dei Francesi, Rome
5752  
Caravaggio, The Calling of Saint Matthew (detail) fg
 
 The Calling of Saint Matthew (detail) fg   1599-1600 Oil on canvas Contarelli Chapel, San Luigi dei Francesi, Rome
5753  
Caravaggio, The Calling of Saint Matthew (detail) gfd
 
 The Calling of Saint Matthew (detail) gfd   1599-1600 Oil on canvas, width of detail: 30 cm Contarelli Chapel, San Luigi dei Francesi, Rome
5750  
Caravaggio, The Calling of Saint Matthew (detail) urt
 
 The Calling of Saint Matthew (detail) urt   1599-1600 Oil on canvas, width of detail: 92 cm Contarelli Chapel, San Luigi dei Francesi, Rome
5748  
Caravaggio, The Calling of Saint Matthew fg
 
 The Calling of Saint Matthew fg   1599-1600 Oil on canvas, 322 x 340 cm Contarelli Chapel, San Luigi dei Francesi, Rome
320  
Caravaggio, The Cardsharps
 
 The Cardsharps   1595 Kimbell Art Museum, Fort Worth
5722  
Caravaggio, The Cardsharps f
 
 The Cardsharps f   c. 1596 Oil on canvas, 90 x 112 cm Kimbell Art Museum, Forth Worth
325  
Caravaggio, The Concert  The Musicians
 
 The Concert The Musicians   1595 Metropolitan Museum of Art, New York
89384  
Caravaggio, The Conversion of Saint Paul
 
 The Conversion of Saint Paul   1600(1600) Medium oil on canvas Dimensions Height: 230 cm (90.6 in). Width: 175 cm (68.9 in). cjr
42689  
Caravaggio, The conversion of St. Paul
 
 The conversion of St. Paul   MK169 ca.1601.Doek 230x175cm S. Maria divide Popolo Rome
5766  
Caravaggio, The Conversion of St. Paul dg
 
 The Conversion of St. Paul dg   1600 Oil on cypress wood, 237 x 189 cm Odescalchi Balbi Collection, Rome
56041  
Caravaggio, the conversion on the way to damascus
 
 the conversion on the way to damascus   mk247 1601 ,oil on canvas,90.5x69 in,230x175 cm,cerasi chapel,santa maria del popolo,rome,ltaly
5765  
Caravaggio, The Conversion on the Way to Damascus (detail)
 
 The Conversion on the Way to Damascus (detail)   1600 Oil on canvas Cerasi Chapel, Santa Maria del Popolo, Rome
5764  
Caravaggio, The Conversion on the Way to Damascus fgg
 
 The Conversion on the Way to Damascus fgg   1600 Oil on canvas, 230 x 175 cm Cerasi Chapel, Santa Maria del Popolo, Rome
43849  
Caravaggio, The Crowning with Thorns
 
 The Crowning with Thorns   Oil on canvas, 178 x 125 cm
5817  
Caravaggio, The Crowning with Thorns f
 
 The Crowning with Thorns f   Oil on canvas, 127 x 165,5 cm Kunsthistorisches Museum, Vienna
5761  
Caravaggio, The Crucifixion of Saint Peter  fd
 
 The Crucifixion of Saint Peter fd   1600 Oil on canvas, 230 x 175 cm Cerasi Chapel, Santa Maria del Popolo, Rome
5763  
Caravaggio, The Crucifixion of Saint Peter (detail) f
 
 The Crucifixion of Saint Peter (detail) f   1600 Oil on canvas Cerasi Chapel, Santa Maria del Popolo, Rome
5762  
Caravaggio, The Crucifixion of Saint Peter (detail) fdg
 
 The Crucifixion of Saint Peter (detail) fdg   1600 Oil on canvas, width of detail: 51 cm Cerasi Chapel, Santa Maria del Popolo, Rome
5789  
Caravaggio, The Crucifixion of St Andrew dfg
 
 The Crucifixion of St Andrew dfg   c. 1607 Oil on canvas, 202,5 x 152,7 cm Museum of Art, Cleveland
33573  
Caravaggio, The Crucifixion of St Peter
 
 The Crucifixion of St Peter   mk86 1601 Oil on canvas 230x175cm Rome,Santa Maria del Popolo

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Caravaggio
Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.



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